Tried a lot of experimentation with this one (a) Painting it almost mono although I used burnt umber glazes to soften edges and give the suggestion of a secondary light source - top left. (b) No eyes - and I always make them the key point of a portrait ... similarly the hair.
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| Logan's Light John Simlett 27 x 19.5 inches Oil on stretched Italian linen |
The photography does no favours (favors).
I tried to soften everything except the two focal points, the light and the face.
Given the degree of difficulty I'm reasonably pleased. As always seeing it full size is best.
Amazing painting, John! Wow!
ReplyDeleteFantastic! Hugs, Valerie
ReplyDeleteWonderful illumination, John. I see blood, sweat and tears going into this one. Children are such wonderful subjects. Blessings!
ReplyDeleteVery nice and interesting painting !!!
ReplyDeleteThank you everyone
ReplyDeleteThis is SO good John!! And unique! Keep them coming!!!!
ReplyDeleteWhat a moving painting and form. Greetings.
ReplyDeleteBeautiful painting.
ReplyDelete